RUSH: Signals LP. UK. Comes with protective sleeve (vinyl near mint). Check videos & samples.

Studio album by Rush
Recorded April - July 1982 at Le Studio, Morin Heights, Quebec
Genre Hard rock, progressive rock
Length 42:18
Label Anthem (Canada), Mercury
Producer Rush and Terry Brown

Signals is the ninth studio album by the Canadian rock band Rush, released September 9, 1982.
Signals was the follow-up to the successful Moving Pictures. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as keyboards, sequencers, and electric violin. Other noticeable changes were decreased average song length and lyrical compression. The album reached #10 on the Billboard album charts and was certified Platinum (1,000,000 copies sold) by the R.I.A.A. in November 1982.

The writing of the album began in 1981, during soundchecks on the Moving Pictures Tour, which they taped. Coincidentally, parts of “Chemistry” were written by the band at once while they were separated from each other. Lee wrote the keyboard melody for the bridge section, Lifeson wrote the guitar riff for the verse, and Peart wrote the drum beat for the chorus, and in a move unusual for Rush, Lee and Lifeson came with the concept and title for the song and presented rough lyrics for Peart to polish. In April, in Orlando, Florida, the band attempted to watch a launch of the Space Shuttle Columbia. It was canceled because of a computer malfunction, and they finally observed the launch a few days later for inspiration in writing “Countdown”.
In September, at Le Studio, Quebec, Peart jammed with the road crew on a song, and was joined by Lee and Lifeson. It was recorded later and temporarily titled “Tough Break”. Afterward, Peart wrote lyrics for the song, retitled "Subdivisions", while Lifeson and Lee came up with additional parts. Lee began experimenting with sequencers and drum machines while at home in Toronto, and came up with “The Weapon”.
In January 1982, on a docked schooner in the Virgin Islands, Peart presented his lyrics for “The Analog Kid” to Lee and they both agreed that it would make a great up-tempo rocker, with a soft chorus. At Muskoka Lakes, Ontario in March at the Grange, “Digital Man” was put together and at Le Studio, the ska style bridge was created along with the sequencer pattern with the guitar and bass. Producer Terry Brown was not impressed and initially refused to record it. In May, the band set out to record a song that had a time limit of 3:57 to keep both sides of the record equal. The result, “New World Man”, was written and recorded on the same day. In June, Ben Mink from the band FM was invited to play electric violin on “Losing It”.

Song notes:
The opening track from Signals is "Subdivisions," which has been a staple of many of the band's tours since its recording.
"The Analog Kid" and "Digital Man" served as the inspiration for writer Troy Hickman to create the comic book heroes of the same names in the 2004 comic Common Grounds.
"Digital Man," a slightly reggae-based song, ultimately led to the end of the band's relationship with long-time producer Terry Brown. Brown was reluctant to leave behind the band's progressive-rock past, while the band members, especially Lee, wanted to explore new musical directions. The mid-section of the song has been compared with the song "Walking on the Moon" by The Police. A slightly adapted version of the song was brought back for the 2007 Snakes And Arrows Tour, marking the first time Rush performed it in nearly 23 years.
"The Weapon" (Part II of the 'Fear' trilogy) would be featured in the album's supporting tour and would include a video opening hosted by Count Floyd of SCTV fame.
"New World Man" became a surprise FM radio hit for the band, peaking at #21 on the Billboard Hot 100 singles chart for three weeks in October and November 1982. It remains the band's highest charting single in the US to date. Written and recorded with the intention of preserving the continuity of the then-popular cassette tape format, this allowed for two roughly 21-minute sides with as little "dead air" between them as possible.
Neil Peart's lyrics for "Losing It" reference, among other things, the latter years of writer Ernest Hemingway: "for you the blind who once could see, the bell tolls for thee...". This song remains the only track from the album never to have been performed in concert.
The lyrics in the final track, "Countdown," describe the launch of the Space Shuttle Columbia in 1981, which the band witnessed. The song features audio clips of some of the radio talk recorded during the maiden flight. It was a minor UK chart hit in early 1983.
Signals represented the band's last collaboration with producer Terry Brown, who had co-produced every Rush album since 1975's Fly by Night, and had engineered the eponymous first album in 1974.
The Lyrics for "Chemistry" were written by all three band members. It is the last time to date that Lee or Lifeson have contributed lyrics to a Rush song.

Track listing:
All lyrics written by Neil Peart, except where noted, all music composed by Alex Lifeson and Geddy Lee.
No. Title Length
1. "Subdivisions" 5:32
2. "The Analog Kid" 4:45
3. "Chemistry" (Lyrics: Lee/Lifeson/Peart) 4:57
4. "Digital Man" 6:22
5. "The Weapon" (Part II of Fear) 6:24
6. "New World Man" 3:43
7. "Losing It" 4:53
8. "Countdown" 5:50
All Songs Published By CORE Music Publishing (SOCAN).

Geddy Lee – bass guitars (Rickenbacker 4001 and Fender Jazz Bass), vocals, Keyboards: Minimoog, Oberheim OB-X and OB-Xa, Roland JP-8, Moog Taurus pedals, Oberheim DSX and Roland TR 808 rhythm machine.
Alex Lifeson – Fender Stratocaster electric guitars, Moog Taurus pedals
Neil Peart – Tama drums, Avedis Zildjian cymbals, percussion

Additional Personnel: Ben Mink – violins

Arranged & Produced By Rush & Terry Brown
Engineered & Mixed By Paul Northfield
Mastered & Remastered By Bob Ludwig
Hugh Syme – artwork

Sales Certifications:
Country Organization Sales
U.S. RIAA Platinum (1,000,000)
Canada RIAA Platinum (100,000)

Charts:
Album - Billboard (America)
Year Chart Position
1982 Pop Albums 10