FINISTERRE: In Ogni Luogo CD Super sexy progressive Rock. Very varied, very unique!!! Check sample!

This ten track, 50-minute album opens with a Steve Hillage/Pink Floyd tinkled,spacey guitar intro to instrumental Tempo Moderni moving swiftly into IQ fast
mode, guitar led with sustained keyboard chords offering a background wash. Just when you think you know the direction the album is taking, Snàporaz confounds the issue by entering Porcupine Tree territory, the gentle flow of the track weirdly interspersed with the occasional dialogue in Italian, which has the effect of leaving the listener feeling they are eavesdropping in some surreal dream where the melodic overture perhaps belies the impression of safety. Ninive leans back towards the first track with thrusting melodic guitar lines, the memorable riff is strengthened by a wind instrument courtesy of Edmondo Romano (ex-Eris Pluvia) giving it a Middle Eastern flavour in a fusion style. Terrific. Next up is the title track, which adopts a gentle, laid back jazziness with deep female vocals (Francesca Lago) drifting with the melody. When the violin cuts in it could almost be Caravan circa 1975 playing. Core Elettrico cuts in with ferocity with frantic drum and bass and guitar followed by violin that again reminds me of a track off For Girls Who Grow Plump (Caravan) in style but when the tempo slows and guitar takes the lead the style changes to that of Gary Chandler’s Jadis. Around the halfway point in this track, the tempo changes again with a melody drifting around a solitary keyboard note, a note that determines the beat and once again the Middle Eastern woodwind closes the track. The start of Le Citta’ Indicibili is incredibly similar to Led Zep’s Stairway start with acoustic guitar, woodwind and violin, the latter taking the lead solo spot and sounding much like Fairport’s Chris Leslie or Ric Saunders (also ex Soft machine). Agli Amici Sinestetici opens with angry guitar, which soon softens, but only for a short time. The strong beat and overall sound is indicative of Hackett and Latimer so full credit to Stefano Marelli (guitar). Continuita’ Dilaranetempo starts in a soft jazzy mode with deep relaxing female vocal. Two minutes in, the style leans towards symphonic prog before returning to soft relaxing jazz with some great drum and bass fills. The final two minutes of this 8 ½ min track returns to a sort of Porcupine Tree style. Peter’s House is one of those upbeat, pacey, Camel/Jadis type tracks, which ends all too soon. Final track of the album, Wittgenstein Mon Amour is one of those that could go on forever, with what sounds like short bursts of sax picking out the riff with the reminder of the instrumentation wistfully meandering around it. Very cool.
Track Listings
1. Tempi Moderni (4:55)

2. Snáporaz (6:41)
3. Ninive (3:57)
4. In Ogni Luogo (3:21)
5. Coro Elettrico (7:12)
6. Le Cittá Indicibili (3:13)
7. Agli Amici Sinestetici (5:22)
8. Continuitá'DilaraNelTempo (8:31)
9. Peter's House (3:48)
10. Wittgenstein Mon Amour 1.12 (3:00)