Motorhead

Savage were one of the band's 'most-likely-to' from the NWOBHM and with the 1983 release of their debut 'Loose N' Lethal' they staked their claim in a major fashion. To this day, 'Loose N' Lethal' remains a colossal achievement.

This album is an excellent example of the kind of rough heavy metal that came out of the UK in the early 80s. Here you will find classic tracks, such as This aint no fit place (with a riff to die for) and Let it loose. You will also find songs that other, now famous, bands have made covers of. In the beginning Metallica used to play songs from this album live. Included are also old demos the band made when the member were in their teens. Very cool, very powerful headbanging friendly music. One of the best albums of the 80s.

SAMPLES:
www.amazon.com/gp/recsradio/radio/B000059LEJ/ref=pd_krex_dp_a

Personnel
Chris Bradley: bass guitar, lead vocals
Andy Dawson: lead guitar, vocals
Wayne Renshaw: guitars
Mark Brown: drums
David Lindley: drums

Razor formed in 1984.They have issued many classic metal albums over their 16 year career including Evil Invaders, Violent Restitution, Shotgun Justice and Open Hostility. Toured with the likes of Slayer, Motorhead and Venom all over Europe.
As the name suggests, this album should be played a loud as possible. Along with Annihilator, Razor is one of the Canadian thrash giants. This album is thrash. No doubt about it. Unlike Annihilator, Razor has not strayed far from their roots, and Decibels is the testament to their legacy.
Every song on this album is fast. The guitars sound like chainsaws ripping through anything they touch. Everything about the album is sharp, and thrashy. The solos are still fast, and still awesome. Everything about this album is at light speed. There is no compromise whatsoever. The speed of this album can be compared to that of a machine gun. Reloading is the equivalent of switching tracks.

Band Members: Bob Reid, vocals; Dave Carlo, guitars; Jon Armstrong, bass; Rich Oosterbosch, drums.

Canada, Hypnotic
Hypnotic Records Original

SAMPLES: www.amazon.com/gp/recsradio/radio/B0002ZFS1O/ref=pd_krex_dp_a

PURE RUBBISH Pure Rubbish (2001 UK 4-track promo CD from Texan punk/metal outfit, features Kiss Of Death, Electric Heart, Parts Unknown & Let There Be Rock, card picture sleeve PTYCD139)

Category: Glam
Year: 2001
Label: Divine Records LCC

Personnel:
Derek Dunivan lead vocals, lead guitar
Evan Dunvian drums
Jarrett Gardner rhythm guitar, background vocals
Mike McWilliams bass, background vocals
Tracks:
1. Kiss Of Death 3:43
2. Electric Heart 2:59
3. Parts Unknown 3:21
4. Let There Be Rock 5:38
Total Running Time: 15:41

Influences:
Personality Crisis, Guns N' Roses, Rolling Stones, Hanoi Rocks, New York Dolls, Aerosmith, AC/DC, KISS, Cheap Trick, Dead Boys, Ramones, Johnny Thunders/Heartbreakers, Clash, Faces/Rod Stewart, Dogs D'Amour, Beatles, David Bowie, T. Rex/Marc Bolan, Prince, Hollywood Brats, Led Zeppelin, Queen, Thin Lizzy, Stooges/Iggy Pop, Generation X, Motley Crue, Wildhearts, Hangmen

Sounds Like:
Guns N' Roses "Appetite For Destruction" crossed with Hanoi Rocks "Self Destruction Blues"

Probot was a heavy metal side project of ex-Nirvana drummer and Foo Fighters rhythm guitarist and lead-singer Dave Grohl. An album was recorded out of the material and released in February 2004. It featured one single entitled "Centuries of Sin/The Emerald Law".

This was the band started by the lead singer of Persian Risk.

Persian Risk were a heavy metal band from the New Wave of British Heavy Metal era formed in 1979 and hailing from Cardiff, Wales. The brainchild of guitarist Phil Campbell, he recruited vocalist Jon Deverill, second guitarist Dave Bell, bass player Nick Hughes, and drummer Razz. The group was active until 1986.

Associated acts:
Motörhead, Tygers Of Pan Tang, Lone Star, Wild Horses, Tyrant, Wrathchild, Chinatown, Shy, Idol Rich, Paul DiAnno's Killers, Battlezone, Wild, Tredegar, Geezer Butler Band, Paul Chapman's Ghost, Krokus, Tank,
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Persian Risk were a heavy metal band from the New Wave of British Heavy Metal era formed in 1979 and hailing from Cardiff, Wales. The brainchild of guitarist Phil Campbell, he recruited vocalist Jon Deverill, second guitarist Dave Bell, bass player Nick Hughes, and drummer Razz. The group was active until 1986.

Associated acts:
Motörhead, Tygers Of Pan Tang, Lone Star, Wild Horses, Tyrant, Wrathchild, Chinatown, Shy, Idol Rich, Paul DiAnno's Killers, Battlezone, Wild, Tredegar, Geezer Butler Band, Paul Chapman's Ghost, Krokus, Tank,

SAMPLES:
www.amazon.com/gp/recsradio/radio/B00005NY5K/ref=pd_krex_dp_a

TRACK LISTING (13 not 10 songs --> High Vaultage, 1997)
1. Hold the Line 4:31
2. Jane 4:12
3. Rise Up 4:37
4. Brave New World 4:01
5. Don't Turn Around 3:31
6. Sky's Falling Down 4:53
7. Break Free 3:46
8. Dark Tower 4:03
9. Rip It Up 2:59
10. Women and Rock 4:00
11. Too Different 3:39 (bonus track)
12. Sky's Falling Down 5:09 (bonus track)
13. Dark Tower 4:01 (bonus track)

Note: The High Vaultage re-issue added the 3 songs from the Too Different 12" EP as bonus tracks.

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Label: Not On Label (Mad Dragzter Self-released) – MADZ001CD
Format: CD, Album
Country: Brazil
Released: 08 Dec 2003
Genre: Thrash
Tracklist▼
1 Breakdown 4:05
2 Lost 5:09
3 Strong Mind 5:45
4 The Chase 4:52
5 Day Of Sadness 5:05
6 New Times 6:09
7 Destroying My Life 4:42
8 402 4:08
9 Unknown 4:50
10 Sordid Planet 7:13
11 Love Us Or Hate Us 5:06
12 Raging City 4:31
13 7 Years 7:20
14 Mad Dragzter 2:21

Unfortunately they chose one of the least aggressive and powerful songs in that album for a video clip:

Bass – Armando Benedetti
Drums – Evandro Júnior
Guitar – Gabriel Spazziani, Tiago Torres
Vocals – Tiago Torres
Written-By – Mad Dragzter
Notes▼
Recorded, Mixed and Mastered at Nimbus Studio
Produced at Pólo Industrial de Manus by Sonopress ®. Indústria Brasileira - under license of Tiago Josias Torres
® Mad Dragzter
Matrix / Runout: SONOPRESS MADZ001CD 14665/03

Brazilian Thrash Metal Band

Mini CD / EP Slipcase
Year 1999
Label Punching Productions

1 On my trip 4:07
2 She's a bitch ... 2:49
3 Four aces are hard to beat 3:11
4 Downtown blues 6:03
5 In deep shit 2:37
Total time 16:10

What does Lost at Last sound like? Described as a mix between Entombed and Turbonegro, somewhere in the middle of Machine Head and Monster Magnet, raised on Judas Priest and Black Sabbath.

Type: Full-length
Release date: 1998
Label: Self-released/independent

1. Minit
2. Flower
3. Bigmac
4. Stupid
5. Heavy Metal King
6. Cool
7. Complicated
8. Hom
9. I´m Your Head
10. Scary Guy
11. Turbonegro

Recording Time 34 minutes

Check all samples:
www.amazon.com/gp/recsradio/radio/B000CAD2BM/ref=pd_krex_dp_a

Lost at Last: The worlds greatest Heavy Metal band!
Founded in Bergen, Norway in 1992, the band refused to jump on the churchburning/Blackmetal bandwagon emerging at the time. More focused on making music, they embarked on a quest to find PURE HEAVY METAL.

Take Judas Priest's choruses, Iron Maiden's guitars, Motorhead's punkish attitude, Black Sabbath's heaviness, Entombeds rock'n'roll and influences from both latterday pioneers like Faith No More, Fear Factory, The Wildhearts and the classic crooners. This migth or migth not be what we sound like to you, but this certainly is where we're coming from!

Label: Molten Records – MELT CD 007
Format: CD
Country: UK
Released: 2004
Genre: Rock
Style: Stoner Rock

Track list ▼
1 Turn It On
[Backing Vocals: The Filthy Few]
2 The Scarlatti Tilt
3 O.B.N.
4 Bloodrock
5 Keep On Pushin'
6 Beyond
7 Sweet Time
8 Sylvie
9 Black Country Killer
10 Death Rides A Horse
11 Unwind Your Mind

Bass, Acoustic Guitar, Vocals – Sie Beasley
Drums, Percussion – Bear
Vocals, Electric Guitar, Acoustic Guitar, Percussion – Mat Bethancourt*

Written-By – G. Baldwin* (tracks: 2 to 4, 6, 7, 9, 10), M. Bethancourt*, S. Beasley* (tracks: 2 to 4, 6, 7, 9, 10)

Recorded in 7 days at Foel Studio, Wales, June 2004.

StonerRock: "Into the Outside has plenty of bluesy riffs and a good whiff of soul. On top of the stripped down Monster Magnet sound are a bevy of other influences – some Fu Manchu, Blue Cheer, The James Gang, for instance. It’s good company for Josiah to keep, and they manage to sound like they’re straight from the ‘70’s but without sounding dated."

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